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~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~ In This Issue * While the Smoke Clears * I've seen the light... * 411 on ITC * Another Crawling Cause * N&ked Firing Revisited – Wally Asselberghs * Raku Links * Workshops * Pottery Business Available ~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~ * While the Smoke Clears * Hello All, Well May was my best month of Internet sales ever. Especially for plates and shard wall art. I guess some people got nice tax returns and I definitely don't mind them sharing with me! I'm going to have to get busy and get some more pieces done. There just seems to never enough daylight. I wanted to give you a heads up that a new Raku book should be available soon. I'm not writing it, but I was asked to contribute a section to the book. I was quite honored given the list of other contributors. I got to proof my sections (and saw a sneak peak of the other guest artists) a few weeks ago. I understand it will be available round August of this year. So I'll keep you posted when I know more. As always, I look forward to your feedback, suggestions, questions, and article ideas at:
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~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~ "I must thank you for all the great recipes. I was a bit stuck for new recipes. I'll be here for thirty years trying all these out." - Simon D. http://www.rakuglazes.com ~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~~-~-~-~-~-~-~-~-~- * I've seen the light... Louise P. writes: "I have a question for you. I want to make those glazes with silver nitrate in them to reach those marvelous golden colors but I was wondering, I know that silver nitrate reacts to light so I will keep the glaze in a container that doesn't let the light through, but are there some other precautions I have to take while glazing? Should the pieces remain covered before getting them in the kiln? How long those glazes could keep?" Ah, Silver Nitrate can create a wonderful effect but can be such a pain to work with. For those of you who don't know, Silver Nitrate is the stuff they put on picture film (remember cameras that actually use film before digital cameras ruled the world) that reacts to the light to produce a picture. So the stuff is very light sensitive. So how do you handle it? First you need to keep if from the light as much as possible. Keep it stored in a dark container or even a dark container in a dark container. Now you only want to mix up the amount of glaze you can use in a short period of time (a few minutes). Then after the pieces are glazes get them fired as soon as possible (a few hours or less). Again if the glazed pieces can be stored in a dark place the better off you will be. Another thing to keep in mind is Silver Nitrate is very reactive on your skin. If you get any on you it will be there for a long while so make sure you always use gloves when dealing with this chemical (you should be using glove to glaze anyway – right?) ~~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~- Books, Music, Videos and that's just the start. Amazon sells more than books! Help support this newsletter by using this link: http://www.garyrferguson.com/amazon ~~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~- * 411 on ITC Carole L. asks: "What is ITC, and where can I get it? It sounds like a good addition to my self-built RAKU kiln." In my last issue of Just Raku I mentioned the use of ITC in a fiber based kiln, but failed to explain the details of ITC. So here goes: ITC is a ceramic coating that can be sprayed (or painted) onto a surface to aid in the efficiency of kiln maintaining heat and also to protect the surface from the corrosive environment inside a kiln. There are different formulas of ITC for different purposes such as, kiln coating, kiln furniture protection, brick repair, and heating element protection. The stuff is a little expensive but over the long haul the cost should be made up in fuel savings. You can read more about this stuff at the Axner pottery site link below (you can also order it here) http://www.pottery-books.com/axner/equipment/itc-ceramic- coatings.php ~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~ "Our class fired again last night, and the instructor followed your tips and voila. Boy do we have copper. Its great knowing we can do it, and I really appreciate your help. Thanks again!"-Shannon P. http://www.rakusecrets.com ~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~ * Another Crawling Cause In the last issue we covered some of the reasons for a glaze to crawl on a piece. Well Red in Roachville, submitted the additional idea: "I over-bisque fired a group of pots. My kiln sitter was on the blink, and I miscalculated the firing time for the greenware. The pieces were just a bit too "hard" to accept the glazes as usual, and crawled when Raku-fired." So add that to your bag of tricks. ~~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~- Raku 2nd Edition – Tim Andrews This new edition has been completely re-written and updated with over 200 all new, full-color photos of beautiful Raku pottery http://tinyurl.com/bt7fk ~~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~- * N&ked Refiring Revisited by Wally Asselberghs Some additional feedback on the "refiring N&ked Raku" topic discussed last issue: I agree with you about not recommending to apply a clear Raku glaze on top of a n&ked Raku surface, and then fire it again. Most likely, the original surface will be burnished to some extent or another, and the Raku glaze will not melt down the way it should normally do on a rougher bisqued surface. Chances are very high that the glaze will peel off later on, completely or partially. Most of the time this is not very aesthetical pleasing. On the other hand, my personal experience in regard of "carbon burning off if the piece is refired" is a little bit different. First of all, I always tell students during my workshops that one of the great advantages of n&ked Raku is that you can always start all over again, if the results are not satisfactory after the first firing. Just remove all remnants of glaze layer and slip layer, and fire again in a bisque kiln. Not even necessary to fire up to full bisque temperature. When looking through the peephole, most carbon has disappeared around 500° Celcius, and everything is gone once you have passed the 600° Celcius barrier. I have re-fired a lot of my personal work, even 2 to 3 times, including objects that were made of slabs and scorched together. One student in Arizona once asked me what would happen if the object was not bisqued again, but a new layer of slip and glaze was just put on top of the original result, and fired again in a second kiln firing. I decided to consider it an experiment, and tried it out at the second day of the workshop. It turned out really nice. Though most of the original carbon marks had faded away, you could still see some of the original smoke patterns left behind by the first firing, though quite subdued. Looked like some kind of patchwork, and certainly opened up some new perspectives. Though I never tried it again, I kept the idea in the back of my mind for further experiments. ~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~ Raku: A Practical Approach by Steven Branfman The "nuts and bolts" how-to book of Raku Order 30% off at: http://www.garyrferguson.com/branfman ~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~ * Click Away * Just Raku Blog http://justraku.blogspot.com Just Raku Logowear http://www.cafepress.com/justraku Got Raku? http://www.cafepress.com/gotraku Just Raku Archive http://www.JustRaku.com Just Raku Article Archive http://www.garyrferguson.com/justrakuarticles ~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~ "It's all your fault! I was up all night reading "Raku Secrets". I have been Rakuing for about ten years, and still so much to learn. Your Raku Secrets gave me a lot of new insight. Thanks so much". - Elaine S. http://www.rakusecrets.com ~~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~- * Workshops and Seminars N&ked Raku Workshops with Wally Asselberghs 2-day N&ked Raku workshops to be led by Wally Asselberghs on June 17-18 and June 24-25, 2006, in Sterrebeek (Brussels), Belgium . First weekend in English with French and/or Dutch explanations, second weekend in French (depending on participant enrollment) with English and/or Dutch explanations. 9 a.m. to 5 p.m. each day, limited to 8 participants, up to 10 bisque-fired pieces (max. 15 cm wide and 35 cm high) can be prepared and fired/smoked per participant. This is a great opportunity to meet Wally and learn his slip & glaze techniques. For more info, electronic flyer, registration info and form, technical sheet, etc., contact
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or by phone + 32 479 223 047. * * * "All Fired Up" Alternative firing Techniques" conference in New York starting July 6th running thru the 9th. This conference will take place in Garden City NY at Adelphi University. It is sponsored by the potters council and will feature raku, pit, horsehair, printmaking on clay, single firing, and Anagama. You can get further info at www.potterscouncil.org Lots of Raku people will be there like Randy Brodnax, Don Ellis, Steve Branfman, Harvey Sadow to name a few. Contact Gina Mars at www.marspottery.net for more details. * * * Alternative Raku workshop will be held at Mother Earth Clay Art Center in Sunnyvale California on July 15 and 16. Students are to bring 12 -20 "prepared" pots to fire during the two days. We will cover one and two step n&ked Raku, horse hair carbonization, and ferric chloride applications. We will also combine these three techniques for special effects. More information is available at www.mamasclay.org then Click on workshops. ~~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~- Raku: Investigations Into Fire by David Jones Order 30% off at: http://tinyurl.com/8m5x ~~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~- * Home/Business for sale We are selling our home, potters wheel, peter pugger, paragon kiln (large & digital), and 5 Raku kilns. There is a 6,200 sq. home (2 bedrooms, unfinished 1,200 sq. ft dream master bedroom) three bath. Also there is a 1,200 covered firing area, kiln room and two studio's on 2 acres of land. We are getting out of the business and want to sell our home to another potter. There are over 35 galleries within a 50 mile radius, several art fairs in this area and art support in the form of Z-Arts. Our home has a 75 mile view of Zion National park. Property taxes of $1,200 a year. Basset mission style living room set and fruit wood dinner table, with lots of southwest art that just matches the house. Asking price $525,000.00. Contact Janet prentice at Zion canyon Raku. Toll free number is 866-301- 8649 or email
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~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~ If you are interested in making a little extra money for taking on-line surveys, click on the link below. Go to http://www.surveysavvy.com/?id=1424287 and click on 'Join'. ~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~ This newsletter is send to opt-in members only. If this issue was forwarded to you and you would like your own copy each month subscribe at: http://www.justraku.com If you wish to no longer receive this newsletter send an email to
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with UNSUBSCRIBE in the subject line. Disclaimer: Just Raku, the owner(s) and representative(s) of this website and newsletter will not be held liable for any direct or indirect losses or damages originating from the use of any information listed on our website or in our newsletters. By using this site and newsletter you agree to indemnify and hold all owners and representative parties of Just Raku harmless from any claim or demand originating out of your use of the Just Raku website and/or newsletters. Use of our website and newsletters is an indication of your complete understanding and acceptance of these Terms of Service. ~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~ JUST RAKU (C) Copyright 2002-2006 Gary R. Ferguson
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